Raphaël Fabregat - SOUND DESIGNER

Scroll down to explore my sound work

ANVIL - SOUND REDESIGN
2025
Here is a project I created as part of my studies. Our teacher assigned us this video, which is originally a music clip by Lorn. The goal was to compose a music that matched the visuals and to complement it with sound effects. I handled the entire Sound Design: I composed and produced the music with Logic Pro (Plugins: Vital & Alchemy), and edited the sound effects in Pro Tools.
EVE - SOUND REDESIGN
2025
SFX & MUSIC BY RAPHAËL FABREGAT
Réalisateurs / Directors : Simon ANDING, Elena DUPRESSOIR, Lucas DURKHEIM, Paul REGNIER, Diane TRAN-DUC. Hommage à Evelyn Lambart, première animatrice canadienne, collaboratrice de Norman McLaren. Tribute to Evelyn Lambart, first Canadian animator and Norman McLaren’s collaborator. Contact production : GOBELINS, l'école de l'image, Moïra Marguin : mmarguin@gobelins.fr
SPIDER-MAN 3 - SOUND REDESIGN
2024
THE BATMAN - SOUND REDESIGN
2024
IMMERSE YOURSELF IN BRUCE WAYNE'S DAILY LIFE
THE HOBBIT - SOUND REDESIGN
2025
MUSIC, SFX & VOICES BY RAPHAËL FABREGAT
THE AMAZING SPIDER-MAN - SOUND REDESIGN
2024
Deadpool & Wolverine - SOUND REDESIGN
2024
NOW THAT'S AN ARGUMENT
L'ange du foyer - instrumental orchestral Music
2026
Painted in 1937 by Max Ernst while he was living in France, The Angel of the Hearth emerges in a climate of rising totalitarianism and pre–World War II anxiety. Through violent irony, Ernst twists the reassuring image of the guardian angel of the home into a convulsive, monstrous creature, symbolizing a civilization that gives birth to its own madness. The work portrays war not as a distant event, but as an inner transformation of humanity and society, where reason collapses and chaos becomes uncontrollable. This music follows that trajectory: an initial unease, followed by the emergence of an relentless, unstoppable march, mirroring a war set in motion with no return. Gradually, the instruments break free, madness takes over, and a grotesque distance appears — where violence becomes so absurd that it borders on irony. Composed & produced by Raphaël Fabregat Completed in 4 hours Software : Logic Pro
Les feuilles perdues - instrumental orchestral Music
2026
For this piece of music, I started from a minor chord, dark and melancholic. Then I altered the root note and the intervals to transform it into an augmented chord, unstable and luminous. More specifically: The minor chord brings an introspective and stable emotion. Transforming it into an augmented chord creates tension, suspension, and openness, giving the feeling that the harmony is “searching for its direction.” This process allows me to begin with a stable, melancholic emotion and evolve it into something more mysterious and dramatic. Composed and produced by Raphaël Fabregat Created in ~8 hours Software: Logic Pro
A sudden gust of wind - instrumental music
2026
ARRIVAL - instrumental dark ambient MUSIC
2025
the raid - instrumental orchestral MUSIC
2025
THROUGH THE WINDOW - instrumental ambient MUSIC
2025
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